WILL MASON (b. 1988) is a composer, performer, and music scholar. His musical and scholarly interests include avant-garde jazz, microtonality, and electronic music. He lives in Rhode Island.
His debut album as a bandleader was with the Will Mason Ensemble, a jazz-inflected chamber ensemble of voice, oboe, alto sax, two guitars, bass, and Mason on drums and electronics. That album, Beams of the Huge Night, was released on New Amsterdam Records in 2015. The Boston Globe wrote that the compositions "balance improvisation and composition, and are shot through with asymmetrical melodies and grooves, grinding harmonies, and atmospheric bouts of stillness." All About Jazz wrote “Mason has an acute talent for composing very complex, extended pieces, creating an absorbing synthesis of jazz, technology, classicalism and an organic construction that includes any or all of those components.” Mason also leads the group Happy Place, an avant-rock band of two singers, two guitarists, and two drummers. The band recorded their debut album Northfield, which was released in 2016 on Exit Stencil Records. The New York Times wrote that the band "succeeds at fusing experimental rock and chamber music...The cathartic two-guitar attack has the feel of avant-rock, while the astringent harmony recalls experiments by Charles Ives." Their follow-up album "Tendrils" was released October 2020. The New York Times wrote that it was "experimental yet still catchy," and it was named "Album of the Year" by Avant Music News.
Mason’s current project is “Hemlocks, Peacocks,” a suite of music for alto saxophone, tenor saxophone, retuned fender rhodes, and drums. That project features Daniel Fisher-Lochhead, Anna Webber, and deVon Russell Gray and was released in January 2025 on New Focus Recordings. It was praised as “an unsettling and revelatory work” by PopMatters, and JazzTimes wrote that its harmonies “reveal another tonal language, dark and enveloping.”
Mason has written pieces for the Nouveau Classical Project, Michi Wiancko, and Zachary Hobin. Musicians Mason has performed with include Ned Rothenberg, Anna Webber, Matt Mitchell, Travis Reuter, Dan Lippel, Charlotte Mundy, Elaine Lachica, Elias Stemeseder, Greg Chudzik, Miles Okazaki, Kate Gentile, and Andrew Smiley. His music has been supported by grants from the Rhode Island Foundation, Rhode Island State Council on the Arts, and the Puffin Foundation.
Mason is Associate Professor of Music and director of the music performance program at Wheaton College in Norton, MA, where he teaches courses in music technology, performance, music theory, and 20th and 21st century musics. Mason is co-editor of and a contributor to the forthcoming Oxford Handbook of Spectral Music, and he also has written for Grove Music Online. He is currently at work on a monograph titled Imagination Audible: Metaphors of Construction in the Recording Studio, which theorizes the nexus of technics, embodiment, and the tools of the modern recording studio.
Mason holds a PhD in music theory from Columbia University, a BA in politics from Oberlin College and a BMus in contemporary improvisation from Oberlin Conservatory. His mentors at those schools have included Ellie Hisama, George Lewis, Georg Friedrich Haas, Billy Hart, Wendell Logan, Brian Alegant, Arnie Cox, and Rebecca Leydon.
His debut album as a bandleader was with the Will Mason Ensemble, a jazz-inflected chamber ensemble of voice, oboe, alto sax, two guitars, bass, and Mason on drums and electronics. That album, Beams of the Huge Night, was released on New Amsterdam Records in 2015. The Boston Globe wrote that the compositions "balance improvisation and composition, and are shot through with asymmetrical melodies and grooves, grinding harmonies, and atmospheric bouts of stillness." All About Jazz wrote “Mason has an acute talent for composing very complex, extended pieces, creating an absorbing synthesis of jazz, technology, classicalism and an organic construction that includes any or all of those components.” Mason also leads the group Happy Place, an avant-rock band of two singers, two guitarists, and two drummers. The band recorded their debut album Northfield, which was released in 2016 on Exit Stencil Records. The New York Times wrote that the band "succeeds at fusing experimental rock and chamber music...The cathartic two-guitar attack has the feel of avant-rock, while the astringent harmony recalls experiments by Charles Ives." Their follow-up album "Tendrils" was released October 2020. The New York Times wrote that it was "experimental yet still catchy," and it was named "Album of the Year" by Avant Music News.
Mason’s current project is “Hemlocks, Peacocks,” a suite of music for alto saxophone, tenor saxophone, retuned fender rhodes, and drums. That project features Daniel Fisher-Lochhead, Anna Webber, and deVon Russell Gray and was released in January 2025 on New Focus Recordings. It was praised as “an unsettling and revelatory work” by PopMatters, and JazzTimes wrote that its harmonies “reveal another tonal language, dark and enveloping.”
Mason has written pieces for the Nouveau Classical Project, Michi Wiancko, and Zachary Hobin. Musicians Mason has performed with include Ned Rothenberg, Anna Webber, Matt Mitchell, Travis Reuter, Dan Lippel, Charlotte Mundy, Elaine Lachica, Elias Stemeseder, Greg Chudzik, Miles Okazaki, Kate Gentile, and Andrew Smiley. His music has been supported by grants from the Rhode Island Foundation, Rhode Island State Council on the Arts, and the Puffin Foundation.
Mason is Associate Professor of Music and director of the music performance program at Wheaton College in Norton, MA, where he teaches courses in music technology, performance, music theory, and 20th and 21st century musics. Mason is co-editor of and a contributor to the forthcoming Oxford Handbook of Spectral Music, and he also has written for Grove Music Online. He is currently at work on a monograph titled Imagination Audible: Metaphors of Construction in the Recording Studio, which theorizes the nexus of technics, embodiment, and the tools of the modern recording studio.
Mason holds a PhD in music theory from Columbia University, a BA in politics from Oberlin College and a BMus in contemporary improvisation from Oberlin Conservatory. His mentors at those schools have included Ellie Hisama, George Lewis, Georg Friedrich Haas, Billy Hart, Wendell Logan, Brian Alegant, Arnie Cox, and Rebecca Leydon.
Curriculum Vitae